LABdiff 8
LABORARE & Alanna Kraaijeveld + Marie Lévêque
ÉDIFICE WILDER | Espace Vert
February 7, 2026 - 7pm
February 8, 2026 - 4pm
February 9, 2026 - 7pm
All the performances will be interpreted in Québec Sign Language (LSQ)
20$
Doors: 30 minutes before the presentation
Bar service in the space
Discussion led by the curators every evening
Put on your slippers and take in two artistic offerings during an eclectic and lively evening! Following three weeks of exploratory research in our very own underground, Espace Vert, the artists offer you the fruits of their experiments in the form of a public presentation. Over a drink, the curators provide a space for a friendly discussion where the public’s experiences and thoughts come together to create a collective meaning. With this presentation model, Tangente opens the doors of its laboratory to cultivate a privileged and intimate relationship between artists and the audience.
90 minutes
The order of the pieces is subject to change.
LABORARE & Alanna Kraaijeveld
A choreographic investigation is conducted through a performative installation that uses dance to express the dreams and adaptation strategies of people whose lives are threatened by rising sea levels.
LABORARE is a collective founded by Marine Theunissen and Raphaël Dely. Trained in theatre, Marine is an artist, researcher, director, and choreographer. Raphaël creates experimental games, and designs interactive and immersive digital art environments. Together, they create by exploring the relationships between humans and non-humans (technologies, the environment, natural phenomena, animals), notably through pieces like Effet d’Entraînement (Tangente, 2023). Their artistic approach is resolutely interdisciplinary and grounded in expert interviews, video and audio recordings, and data collection.
Alanna Kraaijeveld is a dancer who uses the foundations she acquired through Fighting Monkey, judo and freestyle in her improvisations. She works as a performer, teacher, and creator.
Residencies DansIt (Tondheim, Norway), The Grange Projects (Great Cressingham, UK), C32 (Venise, Italy)
We asked Marine Theunissen to tell us about the last time she danced that was memorable:
“I’m with my 5-year-old daughter in the living room. It’s late afternoon; it’s too hot outside, but it’s okay inside. She asks me to put on Janis Joplin’s ‘Move Over.’ Instantly, when the beat starts, we both start dancing. We imitate each other, throwing our arms, legs, and heads in all directions, like a groovy kung-fu. I remember the energy, the pleasure of seeing her move and repeating her movements, the fun of our bodies, and the feeling of joyful release.”
Marie Lévêque
Four performers explore the act of rocking using a performative installation made of Styrofoam blocks that symbolize the healing process and evoke the tenderness of a protective relationship.
Marie Lévêque’s artistic approach is guided by inclusion, coexistence, and healing. Her work distorts cultural images and symbols to offer a profoundly feminist and restorative perspective. In 2023, with the help of Molly Siboulet-Ryan, she founded the Rhizome collective, which offers workshops and creative processes for incarcerated women. She also works with Corpuscule to make inclusive dance more accessible in Tiohtià:ke. Marie works as a performer, creator, mediator, and teacher. When not busy making art, Marie studies criminology, victimology, and restorative justice. She collaborates with the companies We All Fall Down, Emmanuel Jouthe | Danse Carpe Diem, Nelly Paquentin, and Lilith & Cie.
With the support of Parbleux
Residencies Parbleux, Maison pour la danse de Québec (Bloc.danse), Espace Libre, Montréal Danse, Art Circulation
An emerging contemporary dance artist with a diverse cultural heritage, Salomé Janan moved to Québec in 2016. After graduating from École de danse de Québec in 2019, she spent several years working and creating with numerous Québec artists. Since then, she has taken on the role of performer in productions in Québec and France. She began to take an interest in cultural mediation in 2023 with her first workshop for immigrant high school students in Québec, combining dance and theatre, and then joined the organisation Danse contre la violence in 2024.
Molly Siboulet-Ryan is a dance artist based in Tio’Tia:ke (Montréal). Among the many roles she takes on in artistic processes, that of collaborative performer is by far her favourite. She’s therefore thrilled to dive into Marie’s creative world. Outside of dance, Molly does her best to keep her plants alive, navigates the chaotic waters of capitalism in her own way, and loves midnight swims.
Léo Gauthier is a self-taught contemporary dance artist based in Tiohtià:ke/Montréal, with a strong interest in inclusive dance. As a disabled artist, Léo reflects on the collaboration of atypical bodies within the dance world, and even more on the richness of movement possibilities that emerge from them. With eight years of experience as a community worker, Léo often meets people from diverse life paths, which greatly nurtures their personal practice and reflections on social realities connected to the body and the world. Léo has participated in various projects with Corpuscule Danse, notably with George-Nicolas Tremblay, as well as on an intergenerational cultural mediation project with Sarah Dell’Ava. In the coming years, they wish to further develop their floorwork practice.
Lila Geneix is a French choreographer and performer in contemporary dance based in Tiohtià:ke/Montréal. A graduate of UQAM (2020) and recipient of the David Kilburn Award (2022), she develops a feminist choreographic practice at the intersection of visual art, performance, and dance. A versatile artist, she navigates between different creative contexts, from traditional stage work to in situ interventions and multidisciplinary collaborations. Since arriving in Québec, she has collaborated with Sarah Dell’Ava, Emmanuel Jouthe, Katia-Marie Germain, Danièle Desnoyers, the Grand Poney company and Tamara Cubas, and has been involved in archiving several creative processes. Her first creation, Conjurer la (S)Cène (2022), is part of a triptych on the act of setting the table. In 2024, she co-authored the public artwork Éc(h)o: passage du vivant at the Panama station of the REM and is continuing her research for a new stage project.
Joy Boissiere is a non-binary artist based in Tiohtià:ke/Moniang/Montréal. Her work takes place in performance, installation, exhibition, and shows. As a multidisciplinary artist, she occupied the roles of technical and artistic director, scenographer, technician, operator, and cultural coordinator. She develops her subjects or research-creation around obscenity, timidity, movement, and absurdity. Her tools are lighting, projection mapping, stage technique, and dance/performance. A graduate of the master’s in digital creation at UQAT, Joy worked for various companies, such as Ampleman Dance, La Sentinelle, les précieuses fissures, and Pleurer Dans’Douche. She also performed in festivals such as Entractes, Phénomena, Parcours Danse, and the Fair of Alternative Art in Sudbury.